
Last post of the year, Here is Jeff and Lolly again in keeping with the icy weather.
Merry Christmas and a happy new year to you all.
Here is the finished BG. I believe this background was only used for a few scenes in one episode. So much effort for so little screen time. But there was a lot of time and effort put into this series from both us and the company in France and everyone else who worked hard on the series. We loved Nine and all the villagers.... sniff
This is another cell from Rubbish King of the Jumble. I have flipped the back view of the cell just so its easier to look at and compare with the front. The drawing above the cell was on the animation paper that was with the cell. You always have a bit of paper on the back of the cell to protect the painting. Cell cell cell, just thought I would add the word cell a few more times just to be sure.
Here is the picture from before but with a clean line ready for colouring. The bed, table and stool are on different levels so animation can be put behind them. You can see the back of the walls continue through the bed where you wouldn't normally see but this is for safety just in case in a later episode the bed or table need to be moved into a different position. It allows flexibility.

Here is some character development work we did. Starting with some rough scetches then some less rough scetches and when the general character is decided it then get's built in 3D. Sounds easy! But it helps when you have some very talented people doing the work. There is another one of these but with a different character I will post soon.
Here is a picture showing two characters on a cell, the back and front view of the same cell. This is how 2D animation was always done, each frame of movement was an individual painting. Each colour would need to be painted then left to dry then the next colour painted on top then left to dry and so on. But what was the tricky bit was when painting on cell you would work backwards (as the actual painting would be done on the back of the cell) so you would start with the outline then paint on top of that. So click on the picture to see it bigger and have a look at the back of the cell (bottom half of the pic). It's quite interesting.... or is that just me?
Here is a bit of concept art. We have been doing some shorts for the Prince's Rainforest Project for You Tube which Paul has directed. He was coming up with an idea to illustrate deforestation and this is one of his preplanning idea scetches. What it shows is the usual pattern that loggers produce whilst ripping up the rainforest. They start clearing a road like path through the trees then start clearing other paths from those paths. You get a pattern that resembles this picture. Have a look on google earth and look at the Rainforest (for example in the Brazil area), you will find an awful lot of these patterns.

Here is Nine and his Dragon Tail. We first coloured it Purple (my favorite colour). But the producers wanted it Red so we changed it. But ultimately the Director wanted it green so that's how it ended up in the episode. I should also mention that this episode is Tail Of Tails which won a Pulcinella award at the Cartoons on the Bay festival!




